The Colour of Time: Some of the sources that have conditioned the girl are identified in the novel — her husband, the warden, but also her mother: She, in turn, is not allowed her own voice. Bibliography Bergala, Alain, et al. The hair motif impulses the narrative thread to keep unfolding in an endless repetition.
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The rest of the novel stages constant action yet it does not have a plot as such: The passage also reads as another mise en abyme of glances: She evokes her possible madness: Later she did not move, gave no indication of life, lying exposed on the ruined bed as on a slab in a mortuary. But she persistently distracted me with thoughts that were less than innocent. Touching her body causes the re-emergence in the text of comparisons that appeared earlier in the text: